The Jungle Book of the Baka Pygmies 

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The Baka have lived for 250,000 years in the equatorial forest, on the banks of the Congo River. They are the oldest human group in the world. More than living in the jungle, they are the jungle. They take care of her like they take care of their body. Everything they need they get from her, but nothing they take that is not necessary. The forest has been created by Komba, the Elder, so that the Baka have everything they need, but they can only enjoy it on the condition that they take care of it and share it with those who live in it, because it only deserves what is shared . 

This way of conceiving how to be in the world has allowed them to survive for thousands of years, but now the greed of the first world has expelled them from the jungle. The only thing left to them are the stories, the likanó, or advice with which they learned what is needed to survive: listening, caring, sharing and  be together.  

Below we leave you a likanó that they told us when we arrived at the community of the Baka pygmies:

Likanó -
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Written by Ana C. Herreros

Illustrated by Daniel Tornero

Collection: Black Series

Size: 24x33  cm 

Pages: 32 

Binding: cardboard

ISBN: 978.84.123027.0.7

  (Price without VAT €23.56)

RRP €24.50 

Project in Cameroon

Thanks to  The Jungle Book of the Baka Pygmies we collaborate with the Association  Zerca y Lejos , which leads  since 2001 pursuing social justice and the transformation of society through volunteerism, awareness and international cooperation. They work  in Cameroon and Peru, in the accompaniment of vulnerable communities and groups in matters of health, education, food security, gender violence, water and sanitation, with a human rights and gender approach.  

 

With the purchase of this book you will be collaborating in the educational project that is being developed in the communities of southern Cameroon with the Baka population, in the   That  bet  for an inclusive education contributing to the maintenance of their traditional knowledge, a fundamental aspect for cultural reproduction, the recognition of their collective rights and that other cultures can learn from the knowledge that has allowed them to live sustainably in the jungle for many years.  

Foreword by Chema Caballero 

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Ahmadou Hampâte Bâ explains in the first part of his memoirs, collected under the title of  Amkullel, the Fulbe child, that one of the main effects of World War I in Africa was to provoke "the first great rupture in the oral transmission of traditional knowledge". The great writer refers to the fact that the French forced thousands of Africans from all their colonies, grouped under the name of Senegalese marksmen (tirailleurs sénégalais), to fight on European soil defending the interests of the metropolis for four years. This caused the "first great eclipse in oral transmission" of the vast cultural heritage of each of the affected peoples because those who treasured it were not there to pass it on to those who came after.

 The isolation in which the Baka people have always lived in the Congo River basin saved them from those military levies. It has not been until recently that it has been forced to abandon its natural habitat and settle along roads and highways. The Baka, who have always lived by collecting what the forest offered them, including fishing and hunting, are now at a disadvantage compared to the peoples with whom they are forced to live: expert ranchers and farmers, who do not see Baka as people, but as animals and therefore they enslave them and force them to work on their farms. The people of the jungle, the children of Komba, the Elder, have been humiliated and without the tools to face the new reality. Situation that has caused many of its members to take refuge in alcoholism. Now, the young people who have studied are trying to restore their stolen dignity to their people and are fighting to be recognized with the same rights as the rest of the peoples of Cameroon.

 

Living inside the jungle has allowed the Bakas to keep their cultural legacy intact and to be able to transmit to younger generations all the knowledge and wisdom accumulated over the centuries without interruption and without influences from the outside world. One of the main vehicles to transfer that compendium is the story. Today we are offered the opportunity to approach a selection of them in this book that we have before us and that is the result of a fruitful trip to the heart of the Baka territory to get to know these people up close and hear a little about how much they have to tell.

 

For years I have shared some periods of time with the Baka from the south of Cameroon and one of the first things they taught me was that they do not live in the jungle, but that they are part of the jungle; they are one more of the elements that are in it, such as animals, plants or spirits.  

 

This equality and coexistence with the rest of the beings that are part of the tropical forest is, perhaps, one of the first things that is appreciated when reading these pages. The book reflects that ideal world that was the Baka paradise before its members were expelled from it by laws they do not understand. A world where Komba, the supreme god, lives with human beings and listens to them and therefore lacks nothing, where men and animals live in harmony and where the values of friendship, sharing, mutual help and respect prevail. the elderly above all.

 

The stories shown in these pages are the same stories that can be heard at night when the Baka sit around the fire or during community ceremonies. It is thanks to these stories that the youngest learn about their culture and what has kept their people grounded for so many centuries. And it is this wisdom, passed down from grandparents and parents to grandchildren and children, that gives strength to the younger Baka who are fighting to bring about a new golden age for their people.

Chema Caballero

Our trip to Cameroon

In November 2019, Ana C. Herreros, Daniel Tornero and Kike Carbajal traveled with Zerca and Lejos to Baka Pygmy communities  of Assok, Bemba II and Doum, which are located in the  southern Cameroon. There they learned about the educational project with which we collaborated with this book, Daniel Tornero  illustration workshops, Ana C. Herreros listened to the likanós and Kike Carbajal immortalized it all in these  Photos: 

Dani en los talleres de ilustración
Dani en los talleres de ilustración

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Dani en los talleres de ilustración
Dani en los talleres de ilustración

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Ana Cristina Herreros

Ana C. Herreros

He was born in León and his grandmother kept quiet stories. So he soon learned to listen to the silence and to love those who have no voice, those who don't count.

So much so that, years later and already an emigrant in Madrid, he began to write a doctoral thesis on the literature of those who neither write nor read. And so, researching in the oral tradition, he ended up in 1992 with oral narration.  And he began to tell, and for more than twenty years he has not been silent. Then his voice filled with ink and he began to write.  It has been translated into Catalan, French and Mexican. He has made an autistic man speak, a princess sit down to listen to his lecture and 16 6-month-old babies preferred listening to his stories to taking a bottle. Oh, if your grandmother raised her head...

With Libros de las Malas Compañías he has also published the  following  Titles:

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Daniel Tornero

Daniel Turner

 

He is an illustrator, narrator and teacher, but above all he is a narrator. He has been with the Jamacuco stage group since the last century, and he likes telling stories so much that he has gone from voice to paper. Now he also paints the parallel universe of the stories using colored pencils and a brush made of the hair of a child. Whether as a narrator or as a cartoonist, the important thing is that it continues to count.

As an illustrator, he has been working since January 2012 at the Ipad Magazine DON , and since May 2014 he is the art director, designer and illustrator of the publishing house Libros de las Malas Compañías. He already has a book published, La mujer skeleton , which has been a finalist for the Extraordinary Prizes for Plastic Arts and Design of the Autonomous Community of Madrid. It has also received the Honorable Mention at the XII Audiovisual Awards of the Directorate General for Equality.

With Libros de las Malas Compañías he has also illustrated the  following  Titles:

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